Curtis Mayfield Greatest Hits Zip

Complete song listing of Curtis Mayfield on OLDIES.com.

Artist: Curtis Mayfield Album: The Very Best Of Genre: Funk, Soul Origin: USA Released: 1998 Quality: mp3, 320 kbps Tracklist: 01. Move On Up (8:49) 02. Get Down (5:41) 03. Give It Up (3:42) 04. Little Child Runnin' Wild (5:24) 05. Pusherman (5:03) 06.

Freddie's Dead (5:26) 07. Give Me Your Love (4:17) 08. Eddie You Should Know Better (2:18) 09. No Thin On Me (4:54) 10. Superfly (3:54) 11. People Get Ready (3:56) 12. Right On For The Darkness (7:30) 13.

(Don't Worry) If There's A Hell Below We're All Gonna Go (7:07) 14. You're So Good To Me (6:55). First of all, we are grateful for visiting our website. We offer to you blues and jazz mp3 on one website and the main our feature is - without other music genres and without advertisement. Fl studio 12 reg key zip. If you have some questions or proposals for better future and development of our site – please click “Contact us” and leave a message. As old Latin proverb says: “how many people, so many tastes”.

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Disclaimer: This is one of those questionable picks that pepper the list: 16 years of music in a greatest hits double album. Not sure that’s a particularly fair means of assessment or an accurate picture of Curtis Mayfield as an artist. For the sake of fairness I’d be happy to go straight to the late-‘60s and early ‘70s political flowering and Blaxploitation soundtrack cuts and skip the Motown-esque love songs of the Impressions years, as fine as they are.

If, however, Rolling Stone had made the sensible rule against including greatest hits albums (which they really should have done), I’ll happily take Curtis, Roots, or the Superfly soundtrack and put it up against any other album in this general numerical range on the RS list ( Curtis, his 1970 solo debut must have been a mammoth shock to the system: the opening cut, “If There’s a Hell Below, We’re All Going to Go” Holy gawd! Get a load of me! A list of society’s ills followed by the lyric, “Nixon talking about, Don’t Worry.” America is great already.) Now I discover Superfly is already on the RS list at no. 72, one hundred-plus long albums away, despite several of its songs appearing on this anthology.

I don’t get it. Anyway, sailing on. End Disclaimer. In eighth grade, I bought a cassette tape from the bargain rack at Kemp Mill Music (same place I bought Hysteria, my contribution at #464, full price though) with a cool Black Caesar, Fred Williamson-looking dude in a colorful suit holding a gun in one hand and a scantily dressed babe in the other on the cover.

It was entitled Greatest Pimpin’ Hits or something similar and anthologized many of the classic soundtrack cuts of ‘70s Blaxploitation-era cinema. Isaac Hayes’s “Shaft,” of course; Bobby Womack’s “Across 110 th Street” and Marvin Gaye’s “Troubleman” are other ones I remember, along with Curtis Mayfield’s “Superfly.” Come to think “Pusherman” and “Freddie’s Dead” were on the tape as well. I would imagine three tunes making Curtis the leading representative of Greatest Pimpin’ Hits. If the pimp shoe fits.

I loved this cassette tape. Listened to it all the time. Not because I — nestled in an affluent Washington, D.C. Suburb — was particularly aware of the socioeconomic context and political backdrop of these films, or had ever even seen any of them at the time, but because it was damn funky soul music. I remember one summer I was mowing lawns — I hated mowing lawns — despised it with all my heart — and it was a regular in my Walkman. Now for a related embarrassing suburban-white-kid-early-‘90s-cluelessness anecdote: as junior high schoolers it was required of me and my buddies to hang out at the local mall, where we occasionally partook in the activity of “Pimpin’.” This meant we would dress up in ‘70s clothes gathered from the basement, attic, or bargain bin and strut around the mall blaring Greatest Pimpin’ Hits from a boombox.

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